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Title | Interview with the Vampire
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Author | Anne Rice
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Cover Art | R. D. Scudellari
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Publisher | Alfred A. Knoff, Inc - 1976
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First Printing | 1976
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Title | The Vampire Lestat
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Author | Anne Rice
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Cover Art | ----
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Publisher | Ballantine Books - 1986
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First Printing | 1985
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Title | The Queen of the Damned
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Author | Anne Rice
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Cover Art | Carol Devine Carson
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Publisher | Alfred A. Knoff - 1988
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First Printing | 1988
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Title | The Tale of the Body Thief
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Author | Anne Rice
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Cover Art | ---
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Publisher | Ballantine Books - 1993
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First Printing | 1992
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Title | Memnoch the Devil
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Author | Anne Rice
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Cover Art | Giovanni Busi Cariani
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Publisher | Alfred A. Knopf - 1995
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First Printing | Alfred A. Knopf - 1995
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Title | Pandora
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Author | Anne Rice
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Cover Art | Carol Devine Carson
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Publisher | Alfred A. Knopf - 1998
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First Printing | Alfred A. Knopf - 1998
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Title | The Vampire Armand
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Author | Anne Rice
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Cover Art | Carol Devine Carson
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Publisher | Alfred A. Knopf - 1998
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First Printing | Alfred A. Knopf - 1998
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Title | Vittorio, the Vampire
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Author | Anne Rice
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Cover Art | Carol Devine Carson
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Publisher | Alfred A. Knopf - 1999
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First Printing | Alfred A. Knopf - 1999
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Title | Merrick
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Author | Anne Rice
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Cover Art | Henri Rousseau
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Publisher | Alfred A. Knopf - 2000
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First Printing | Alfred A. Knopf - 2000
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Title | Blood and Gold
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Author | Anne Rice
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Cover Art | Botticelli
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Publisher | Alfred A. Knopf - 2001
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First Printing | Alfred A. Knopf - 2001
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Title | Blackwood Farm
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Author | Anne Rice
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Cover Art | Geoff Spear
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Publisher | Alfred A. Knopf - 2002
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First Printing | Alfred A. Knopf - 2002
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Title | Blood Canticle
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Author | Anne Rice
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Cover Art | Domenichino
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Publisher | Alfred A. Knopf - 2003
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First Printing | Alfred A. Knopf - 2003
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Title | Claudia's Story
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Author | Anne Rice
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Illustrator | Ashley Marie Witter
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Cover Art | Ashley Marie Witter
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Publisher | Hachette Book Group - 2012
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First Printing | Hachette Book Group - 2012
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Title | Prince Lestat
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Author | Anne Rice
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Cover Art | Abby Weintraub
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Publisher | Alfred A. Knopf - 2014
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First Printing | Alfred A. Knopf - 2014
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Title | Prince Lestat and the Realms of Atlantis
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Author | Anne Rice
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Cover Art | Oliver Munday
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Publisher | Alfred A. Knopf - 2016
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First Printing | Alfred A. Knopf - 2016
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Title | Blood Communion
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Author | Anne Rice
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Cover Art | Mark Edward Geyer
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Publisher | Alfred A. Knopf - 2018
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First Printing | Alfred A. Knopf - 2018
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Title | The Vampire Lestat: The Graphic Novel
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Adapted By | Fay Perozich
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Artwork By | Daerick Gross
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Publisher | Ballantine Books - 1991
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First Printing | Ballantine Books - 1991
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Category | Horror
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Warnings | Blood, sex (including homosexual), religion
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Main Characters | Lestat, Louis, Claudia, Armand, Marius, Akasha, Enkil, Mael, Pandora, Khayman, Maharet, Mekare, Jesse, Daniel, David, Sybelle, Benji, Santino, Merrick, Bianca, Avicus, Thorne, Tarquinn Blackwood, Mona, Rhoshamandes, Benedict, Viktor, Rose, Nebamum/Gregory, Seth, Sevraine, Avicus, Cyril, Teskhamen, Flavius, Zenobia, Gremt, Fareed, Amel
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Main Elements | Vampires, Spirits
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Website | AnneRice.com
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Interview with the Vampire
The time is now.
We are in a small room with the vampire, face to face, as he speaks - as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead...
He speaks quietly, plainly, even gently...carrying us back to the night when he departed human existence as heir - young, romantic, cultivated - to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless" life...learning first to sustain himself on the blood of cocks and rats caught in the raffish streets of New Orleans, then on to the blood of human beings...to the years when, moving away from his final human ties under the tutelage of the hated yet necessary Lestat, he gradually embraces the habits, hungers, feelings of vampirism: the detachment, the hardened will, the "superior" sensual pleasures.
He carries us back to the crucial moment in a dark New Orleans street when he finds the exquisite lost young child Claudia, wanting not the hurt but to comfort her, struggling against the last residue of human feeling within him...
We see how Claudia in turn is made a vampire - all her passion and intelligence trapped forever in the body of a small child - and how they arrive at their passionate and dangerous alliance, their French Quarter life of sudden, stolen opulence: delicate Grecian statues, Chinese vases, crystal chandeliers, a butler, a maid, a stone nymph in the hidden garden court...night curving into night with their vampire senses heightened to the beauty of the world, thirsting for the beauty of death - a constant stream of vulnerable strangers awaiting them below...
We see them joined against the envious, dangerous Lestat, embarking on a perilous search across Europe for others like themselves, desperate to discover the world they belong to, the ways of survival, to know what they are and why, where they came from, what their future can be...
We follow them across Austria and Transylvania, encountering their kind in forms beyond their wildest imagnings...to Paris, where footsteps behind them, in exact rhythm with their own, steer them to the doors of the Theater des Vampires, the beautiful, lewd and febrile mime theater whose posters of penny-dreadful vampires at once mask and reveal the horror within...to their meeting with the eerily magnetic Armand, who brings the, at last, into intimacy with a whole brilliant and decadent society of vampires, an initimacy that becomes sudden terror when they are compelled to confront what they have feared and fled...
In an unceasing flow of spellbinding storytelling, of danger and flight, loyalty and treachery, as vampires are created, destroyed, avenged, and "remade," as vampire worlds are summoned up in all their evil and frightening enchantment - the sensuous power, the profound feeling, the wit and verisimilitude of Anne Rice's narrative announced a literary imagination of the first order.
The Vampire Lestat
Lestat. The vampire hero of Anne Rice's enthralling new novel is a creature of the darkest and richest imagination. Once an aristocrat in the heady days of pre-revolutionary France, now a rock star in the demonic, shimmering 1980's, he rushes through the centuries in search of other like him, seeking answers to the mystery of his eternal, terrifying existence. His is a mesmerizing story - compassionate, complex, and thrilling.
The Queen of the Damned
In 1976, a uniquely seductive world of vampires was unveiled in the now-classic Interview with the Vampire...in 1985, a wild and voluptuous voice spoke to us, telling the story of The Vampire Lestat...and now, Anne Rice continues her extraordinary "Vampire Chronicles" with The Queen of the Damned. It is a feat of mesmeric storytelling, a chillingly hypnotic entertainment in which the oldest and most powerful forces of the night are unleashed on an unsuspecting world.
Three brilliantly colored naratives intertwine as the story unfolds:
- The rock star known as Vampire Lestat, worshipped by millions of spellbound fans, prepares for a concert in San Francisco. Among the audience - pilgrims in a blind swoon of adoration - are hundreds of vampires, creatures who see Lestat as a "greedy fiend risking the secret prosperity of all his kind just to be loved and seen by mortals," fiends themselves who hate Lestat's power and who are determined to destroy him...
- The sleep of certain men and women - vampires and mortals scattered around the world - is haunted by a vivid, mysterious dream: of twins with fiery red hair and piercing green eyes who suffer and unspeakable tragedy. It is a dream that slowly, tauntingly reveals its meaning to the dreamers as they make their way toward each other - some to be destroyed on the journey, some to face an even more terrifying fate at journey's end...
- Akasha - Queen of the Damned, mother of all vampires - rises after a 6,000 year sleep and puts into motion a heinous plan to "save" mankind from itself and to make "all the myths of the world real" by elevating herself and her chosen son/lover to the level of the gods: "I am the fulfillment and I shall from this moment on be the cause..."
These narrative threads wind sinuously across a vast, richly detailed tapestry of the violent, sensual world of vampirism, taking us back 6,000 years to its beginnings. As the stories of the "first brood" of blood drinkers are revealed, we are swept across the ages, from Egypt to South America to the Himalayas to all the shrouded corners of the globe where vampires have left their mark. Vampires are created - mortals succumbing to the sensation of "being emptied, of being devoured, of being nothing." Vampires are destroyed. Dark rituals are performed - the rituals of ancient creatures prowling the modern world. And finally, we are brought to a moment in the twentieth century when, in an astonishing climax, the fate of the living dead - and perhaps of the living, all the living - will be decided.
In this most elaborate and enthralling of Anne Rice's vampire novels, she transports us more deeply than ever before into the complex, erotic, electrifying vampire world she has so masterfully created.
The Tale of the Body Thief
The Vampire Lestat here. I have a story to tell you. It's about something that happened to me. It begins in Miami, in the year 1990, and I really want to start right there. But it's important that I tell you about the dreams I'd been having before that time, for they were very much part of the tale too. I'm talking now about dreams of a child vampire with a woman's mind and an angel's face, and a dream of my mortal friend David Talbot.
But there were dreams also of my mortal boyhood in France - of winter snows, my father's bleak and ruined castle in the Auvergne, and the time I went out to hunt a pack of wolves that were preying upon our poor village.
Dreams can be a real as events. Or so it seemed to me afterwards...
Memnoch the Devil
In Anne Rice's extraordinary new novel, the Vampire Lestat - outsider, canny monster, hero-wanderer - is at last offered the chance to be redeemed.
He is brought into direct confrontation with both God and the Devil, and into the land of Death.
We are in New York. The city is blanketed in snow. Through the whiteness Lestat is searching for Dora, the beautiful and charismatic daughter of a drug lord, the woman who arouses Lestat's tenderness as no mortal ever has.
While torn between his vampire passions and his overwhelming love for Dora, Lestat is confronted by the most dangerous adversaries he has yet known.
He is snatched from the world itself by the mysterious Memnoch, who claims to be the Devil. He is invited to be a witness at the Creation. He is taken like the ancient prophets into the heavenly realm and is ushered into Purgatory.
He must decide if he can believe in the Devil or in God. And finally, he must decide which, if either, he will serve.
Pandora
Anne Rice, creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead.
The novel opens in present-day Paris in a crowded cafe, where David meets Pandora. She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life.
Pandora begins, reluctantly at first and then with increasing passion, to recount her mesmerizing tale, which takes us through the ages, from Imperial Rome to eighteenth-century France to twentieth-century Paris and New Orleans. She carries us back to her mortal girlhood in the world of Caesar Augustus, a world chronicled by Ovid and Petronius. This is where Pandora meets and falls in love with the handsome, charismatic, lighthearted, still-mortal Marius. This is the Rome she is forced to flee in fear of assassination by conspirators plotting to take over the city. And we follow her to the exotic port of Antioch, where she is destined to be reunited with Marius, now immortal and haunted by his vampire nature, who will bestow on her the Dark Gift as they set out on the fraught and fantastic adventure of their two turbulent centuries together.
The Vampire Armand
In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms.
Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter an who will bestow upon Armand the gift of vampiric blood.
As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to chose between his twilight immortality and the salvation of his immortal soul.
Vittorio the Vampire
With Pandora, Anne Rice began a magnificent new series of vampire novels. Now, in the second of her New Tales of the Vampires, she tells the mesmerizing story of Vittorio, a vampire in the Italian Age of Gold.
Educated in the Florence of Cosimo de'Medici, trained in knighthood at his father's mountaintop castle, Vittorio inhabits a world of courtly splendor and country pleasures - a world suddenly threatened when his entire family is confronted by an unholy power.
In the midst of this upheaval, vittorio is seduced by the vampire Ursula, the most beautiful of his supernatural enemies. As he sets out in pursuit of his vengeance, entering the nightmarish Court of the Ruby Grail, increasingly more enchanted (and confused) by his love for the mysterious Ursula, he finds himself facing demonic adversaries, war and political intrigue.
Against the backdrop of the wonders - both sacred and profane - and the beauty and ferocity of Renaissance Italy, Anne Rice creates a passionate and tragic legend of doomed young love and lost innocence.
Merrick
In her mesmerizing new novel, the author of The Vampire Chronicles and the saga of the Mayfair Witches demonstrates once again her gift for spellbinding storytelling and the creation of myth and magic. Here, in a magnificent tale of sorcery and the occult, she makes real for us a hitherto unexplored world of witchcraft.
At the center is the beautiful, unconquerable witch Merrick. She is a descendant of the gens de couleur libres, a society of New Orleans octoroons and quadroons steeped in the lore and ceremony of voodoo, who reigned in the shadowy world where African and French - the dark and the white - intermingled. Her ancestors are the great Mayfair Witches, of whom she knows nothing - and from whom she inherits the power and the magical knowledge of a Circe.
Into this exotic realm comes David Talbot - hero, storyteller, adventurer, almost-mortal vampire, visitor from another dark realm. It is he who recounts Merrick's haunting tale - a tale that takes us from the New Orleans of past and present to the jungles of Guatamala, from the Maya ruins of a century ago to ancient civilizations not yet explored.
Anne Rice's richly told novel weaves an irresistible story of two worlds: the witches' world and the vampires' world, where magical powers and otherworldly fascinations are locked together in a dance of seduction, death and rebirth.
Blood and Gold
The Vampire Chronicles continue with Anne Rice's spellbinding new novel, in which the great vampire Marius returns.
The golden-haired Marius, true Child of the Millennia, once mentor to The Vampire Lestat, always and forever the conscientious foe of the Evil Doer, reveals in his own intense yet intimate voice the secrets fo this two-thousand-year existence.
Once a proud Senator in Imperial Rome, kidnapped and made a "blood god" by the Druids, Marius becomes the embittered protector of Akasha and Enkil, Queen and King of the vampires, in whom the core of the supernatural race resides.
We follow him through his heartbreaking abandonment of the vampire Pandora. Through him we see the fall of pagan Rome to the Emperor Constantine and the horrific sack of the Eternal City itself as the hands of the Visigoths.
Bravely, Marius seeks a new civilization in the midst of glittering Constantinople, only to meet with the blood drinker Eudoxia. We see him ultimately returning to his beloved Italy, where after the horrors of the Black Death, he is restored by the beauty of the Renaissance. We see him become a painter living dangerously yet happily among mortals, giving his heart to the great Botticelli, to the bewitching courtesan Bianca, and to the mysterious young apprentice, Armand.
Moving from Rome to Florence, Venice and Desden, and to the English castle of the secret scholarly order of the Talamasca, the novel reaches its dramatic finale in our own time, deep in the jungle where Marius, having told his life story, seeks some measure of justice from the oldest vampires for the world.
Blackwood Farm
In her new novel, Anne Rice fuses her two uniquely seductive strains of narrative - her vampire legend and her lore of the Mayfair witches - to give us a world of classic Deep South luxury and ancestral secrets.
Welcome to Blackwood Farm: soaring white columns, spacious drawing rooms, sun-drenched gardens, and a dark strip of the dense Sugar Devil Swamp. This is the world of Quinn Blackwood, a brilliant young man haunted since birth by a mysterious doppelganger, a spirit known as Goblin, a spirit from a dreamworld that Quinn can't escape and that prevents him from belonging anywhere. When Quinn is made a vampire, losing all that is rightfully his and gaining an unwanted immortality, his doppelganger becomes even more vampiric and terrifying than Quinn himself.
As the novel moves backward and foward in time, from Quinn's boyhood on Blackwood Farm to present-day New Orleans, from ancient Pompeii to nineteenth-century Naples, Quinn seeks out the legendary Vampire Lestat in the hope of freeing himself from the specter that draws him inexorably back to Sugar Devil Swamp and the explosive secrets it holds.
Like her much-love novel The Witching Hour, Blackwood Farm is a family saga - capturing both the dramas and the subtleties of family as it tells its story of youth and promise, of loss and the search for love, of secrets and destiny. It is Anne Rice at her best.
Blood Canticle
Anne Rice continues her astonishing Vampire Chronicles with the story of Lestat's passionate quest for redemption, goodness and the love of Rowan Mayfair.
Here are all the brilliantly conceived principal characters that make up Anne Rice's world of vampires and witches: Mona Mayfair, who's come to Blackwood Farm to die and is, instead, brought into the realm of the undead...Rowan Mayfair, brilliant neurosurgeon and witch, who finds herself dangerously drawn to Lestat...her husband, Michael Curry, hero of the Mayfair Chronicles, who seeks Lestat's help with the temporary madness of his wife...Patsy, country-western singer, who returns to avenge her death at the hands of her son, Quinn Blackwood.
And here is the spirit of Julien Mayfair, guardian of the family, determined to torment Lestat eternally for what he has done to Mona...the riddle of the five-thousand-year-old Taltos, involving Mona's child...and, at the book's center, the Vampire Lestat, once the epitome of evil and now - following the transformation set in motion with Memnoch the Devil - struggling with his vampirism and yearning for goodness, purity and love as he contends with ghosts, legends, secrets and the mystery of the Taltos, and as he wrestles with the fate of his beloved Rowan Mayfair.
Claudia's Story
"Come around, Claudia. You're ill, do you hear me?
"You must do what I tell you to get well.
"You must drink it."
Meticulously extracted from the pages of Interview with the Vampire, Anne Rice's seminal novel, Claudia's story related the tale of the vampire who never should have been through the yes of the titula character, providing new insights into her mind and story. Lavishly illustrated by newcomer Ashley Marie Witter in her debut graphic novel, this volume will be a treasured addition to the library of any Anne Rice aficionado.
Prince Lestat
From Anne Rice, perennial best seller, single-handed reinventor of the vampire universe beginning with the now iconic Interview with the Vampire - a stunning departure, a surprising and compelling return..a new, exhilarating novel that depens Rice's vampire mythology and gives us a chilling hypnotic, rich mystery-thriller.
In Prince Lestat, the long-awaited return to the all-encompasing realm of the Vampire Chronicles, Rice once again summons up the irresistable spirit world of the oldest and most powerful forces between Heaven and Earth, including the indomitable and invisible Amel, whose thirst for human blood gave birth to the horror of the immortal Undead. Rice picks up where she left off more than a quarter century ago with the uniquely seductive The Queen of the Damned and the Vampire Lestat to create an extraordinary new sphere of spirits and forces - the characters, legend, and lore of all the Vampire Chronicles.
The novel opens with the vampire world in crisis...vampires have been proliferating out of control; burnings have commenced across the globe, huge massacres similar to those carried out by Akasha...Old vampires, roused from slumber in the earth, are doing the bidding of a Voice commanding that they indiscriminately burn vampire-mavericks in cities from Paris and Mumbai to Hong Kong, Kyoto, and San Francisco.
As the novel moves from present-day New York and the West Coast to ancient Egypt, third-century Carthage, fourteenth-century Rome, the Venice of the Renaissance, the worlds and beings of all the Vampire Chronicles - Louis de Pointe du Lac, the eternally young Armand, whose face is that of a Botticelli angel; Mekare and Maharet; Pandora and Flavius; David Talbot, vampire and ultimate fixer from the secret Talamasca; and Marius, the true Child of the Millenia, along with all the other new, seductive supernatural creatures - come together in this large, luxuriant, fiercely ambitious novel to ultimately rise up and seek out who (or what) the Voice is, and to discover the secret of what it desires and why...
And at the book's center, the seemingly absent, curiously missing hero-wanderer, the dangerous rebel-outlaw - the hope of the Undead, the dazzling Prince Lestat...
Prince Lestat and the Realms of Atlantis
From Anne Rice, conjurer of beloved best-selling metaphysical tales, creator of mythologies and mystical ancient histories - an ambitious and rich new vampire novel of utopian vision, daring and power.
At the novel's center: the vampire Lestat de Lioncourt, hero, leader, inspirer, irresistible force, irrepressible spirit, battling (and ultimately reconciling with) a strange otherworldly form that has somehow taken possession of his undead body and soul. This ancient and mysterious power and unearthly spirit of vampire lore has all the force, history, and insidious reach of the unknowable Universe.
It is through this spirit, considered benign for thousands of vampire years and throughout the Vampire Chronicles, that we come to be told the hypnotic tale of a great sea power of ancient times: a mysterious heaven on earth situated on a boundless continent - and of how and why, and in what manner and with what far-reaching purpose, this force came to build and rule the great legendary empire of centures ago that thrived in the Atlantic Ocean.
And as we are taken on an electrifying journey through this golden civilization and see its ways and customs, its fantastical advancements and purity of vision, we come to understand its brief flash of possibility as we bear witness to its sudden, catastrophic end, like a flare from the guttering of a dying candle, a volcanic perishing that takes place within a day and a night, a breaking apart of this might empire into darkness and molten gold, expelling all into the sea, leaving in its wake underwater ruins throughout the world.
And as we learn of the mighty, resonant powers and perfections of this lost kingdom of Atalantaya, the lost realms of Atlantis, we come to understand its secrets, and how and why the vampire Lestat, indeed all the vampires, must reckon so many millenia later with the terrifying force of this ageless, all-powerful Atalantaya spirit.
An exhilarating novel that deepens Rice's vampire mythology as it brings together the ancient worlds and beings of the Vampire Chronicles and opens up to us a whole new universe of characters, history, storytelling, and legend.
Blood Communion
The Vampire Chronicles continue with a riveting, rich saga--part adventure, part fairy-tale--of Prince Lestat and the story of the Blood Communion as he tells the tale of his coming to rule the vampire world and the eternal struggle to find belonging, a place in the universe for the undead, and how, against his will, he must battle the menacing, seemingly unstoppable force determined to thwart his vision and destroy the entire vampire netherworld.
In this spellbinding novel, Lestat, rebel outlaw, addresses the tribe of vampires, directly, intimately, passionately, and tells the riveting story of the formation of the Blood Communion and how he became Prince of the vampire world, the true ruler of this vast force, and how his vision for all the Children of the Universe to thrive as one, came to be.
The tale spills from Lestat's heart, as he speaks first of his new existence as reigning monarch--and then of his fierce battle of wits and words with the mysterious Rhoshamandes, proud Child of the Millennia, reviled outcast for his senseless slaughter of the legendary ancient vampire Maharet, forever wise and loving and twin to Mekare the Keeper of the Sacred Core; Rhoshamandes, a force who refuses to live in harmony at the Court of Prince Lestat and threatens all that Lestat has dreamt of.
As the tale unfolds, Lestat takes us from the towers and battlements of his ancestral castle in the snow-covered mountains of France to the verdant wilds of lush Louisiana with its lingering fragrances of magnolias and night jasmine; from the far reaches of the Pacific's untouched islands to the 18th-century city of St. Petersburg and the court of the Empress Catherine . . .
The Vampire Lestat: A Graphic Novel
Anne Rice's rich masterpiece in an exciting new form. Collected for the first time, here are the twelve extraodinary illustrated volumes that form the graphic novel of The Vampire Lestat. Evocative full-color paintings and an artful abridgement of the original text capture the inimitable spirit and atmosphere of this passionate, complex, and thrilling tale.
The story begins in our own time with Lestat, tall, blond, and handsome, a world-renowned rock star. His gifts are timeless, his youth never withers. But he was not always the powerful and famous child of darkness. Before his long earth-encrusted sleep, he was an aristocrat in the heady days of pre-Revolutionary France. It was then that he came face-to-face with the incarnation of evil and the temptations of love that he has ravenously pursued through time. Where it has led him and what he has become is the heart of the tale that has captivated millions of readers.
The scenes illustrated in this graphic novel are quite explicit and are not intended for young readers.
A vampire fan and you haven't read Interview with the Vampire yet? Where have you been, living under a rock? Not only is it one of the most famous vampire books out there, but it is rightfully so. Where Dracula paved the way for vampire-as-a-monster fiction, Interview paved the way for vampire-as-hero. No longer was the vampire simply an undead creature, no matter how cunning. No, now the vampire was a creature with feelings and some strong sense of morality. But I'm getting ahead of myself.
I've probably read Interview with the Vampire three or four times now. Rice weaves an atmospheric tale like few books I'd read before or since. The novel was written from the vampire's point of view, and as such it should be alien to us, but somehow, we understand, we identify. It isn't scary but rather it is haunting. And the part that makes this story different from those that came before and many that followed, the main characters, the "good" guys, are actually evil. These are no Edward Cullens, no "vegetarian" vampires that avoid harming humans. Oh they may contemplate whether or not they are damned and if there is a way to justify their existence, but from a human reader's point of view, they kill...and they enjoy it. And yet, we cannot help but become enchanted by these creatures. We sympathize with Louis, we are fascinated by Lestat, we love sweet little Claudia, want to rescue Armand from his desperate loneliness. And without a thought, they would all gladly turn around and suck the reader dry.
We are shown how eternity for these creatures is just a long, drawn out, lonely torment with brief moments of pleasure when enjoying the fleeting life of a mortal pouring down their throats. And yet, like the reporter interviewing Louis, you can't help but want to become one, to experience what Louis experienced for yourself.
Now I could say so much more about this book, but I want to leave room for the rest of the series :)
I absolutely loved The Vampire Lestat. In the first novel, you have to be careful to keep in mind it is a first-person narrator. Louis is not omniscient, he only knows what he himself sees and feels and doesn't know what the other characters are thinking. By the end of the first book you end up wondering what the big deal about Lestat is, after all, he's nothing but a jerk. The second book turns your view of Lestat on it's head. No longer is he the unlearned son of a farmer, but rather an aristocrat who knew more than he was allowed to tell. He had the answers Louis desired, but also knew that they were not the answers Louis wanted to hear. Now, I did get a bit of a sense that Interview wasn't meant to be a series from the start, thus there are a couple things in Lestat's character in the first book that didn't quite jive with the second one, no matter how little he told Louis, how little he wanted Louis to know his true self. Probably most of those would only be noticed if you read the books back-to-back like I did.
In the second book you also find out a lot more about Armand. Now he is one messed up character! Probably the creepiest, and most evil of the bunch, and yet you feel sorry for him. The world was unfair to him, but then, a lot of that was his own fault too. I'm looking forward to reading The Vampire Armand, because once again, The Vampire Lestat is in the first-person. We see Armand through his eyes, but what is Armand truly like inside? Are we misjudging him (seeing as Lestat doesn't like him much) as we misjudged Lestat when seen through the eyes of Louis?
And Marius, now here is a fascinating character. An ancient vampire with an even more ancient secret. At this point, he'd probably be the vampire I'd most like to meet.
Again, the storytelling talent of Rice is amazing. She creates scenes of haunting beauty and once more confuses you as to the nature of good and evil.
And then comes the Queen of the Damned. Now I had been warned that the series goes downhill after the first few, and one gets and inkling of it here. Now don't get me wrong, I enjoyed 90% of this book, especially as we learn more about each of the ancients in turn. Each a first-person narrative, but all describing the same events from their own unique perspectives.
So what was the part I didn't like? Well two things. The Tale of the Twins was rather long and drawn out. The end of the world as you know it approaches and it takes Maharet nearly two nights to tell the story. And Akasha herself. Wow, feminism gone wild. I'm female, I like strong female characters, but I can't stand women who blame all the world's ills on men. Yeah, maybe if there were no men there would be no war, but then explain the warrior women of various ancient tribes. Just because women are not as prone to violence as men doesn't mean they never murder their spouses or drown their babies, or whisper in their husband's ear to guide him in that warring direction. And the discussions between Akasha and the others about good and evil got a little preachy and even a bit repetitive. As I discussed the book with someone else, they said that they loved the Rice's male characters, but couldn't stand any of the female ones except Gabrielle (who tended to dress and act like a guy). Rice's books are male heavy, but it's better that way. She has a knack for writing them well while doing poorly with the women.
But I consider the third book to still be good. Now, a little break before I continue with the rest of the series...
March 2010
I've now read the fourth. The concept was good, but man, did it ever take a long time to get to where it was going! Too much of Lestat pondering the meaning of life, too little actual action. Now I can usually handle a fair amount of soul searching on the part of a character, but unfortunately Rice had Lestat discuss the exact same topics with several other characters, generally without any new insight. Which is unfortunate, because some of the topics were of interest. Here Lestat is given a chance to be human again. Is it really what he wants in the end? Is he willing to trade his vampire powers just to walk in the sun? If you think about it, as a human, wouldn't it be nice never to have to use the washroom again? Of course you have to give up sex too. And we also learn more about David Talbot, and I look forward to seeing more of him in other books. While half of what happened to Talbot was completely obvious from the moment the Body Thief made his appearance, the other half caught me off guard. I'll let you read the book to find out how things turn out for the head of the Talamasca...just have patience, the plot picks up as you get near the end.
October 2010
While I was mainly disappointed with the last two books, I was mostly happy with the next two. They aren't the quality of Interview with the Vampire, but they could still hold their own. While Memnoch the Devil is not really a book about vampires, don't read it if you need your share of blood, I've always been intrigued by the concept of religion (not being particularly religious myself). It was an interesting twist of perspective, what if the Devil actually cared for us, while God, while not actually evil, was essentially uninterested in our fate? And people didn't break down crying every ten seconds. Maybe every twenty, but not every ten, which was a bit of a relief. But my favorite books in this series tend to be the ones describing the historical pasts of the various vampire characters, which is why I liked Pandora so much. Most of the tale takes place in ancient Rome and Egypt, two of my favorite settings for a book. Before I read this novel, I had no interest in the character whatsoever. But I've changed my mind, of all the female characters Rice has written about I like Pandora best. This was definitely a vampire book and I enjoyed it. Unfortunately there won't be a book dedicated to Marius, but Pandora knew him as a mortal, so it was partly his story too. And I'm sure we'll find out more about him in The Vampire Armand. Pandora was also shorter, so it meant that Rice couldn't get as long winded as she has a tendency of doing. The story moved along without long digressions into the meaning of life, which was pretty much the exact opposite of what Memnoch the Devil was. So I suppose you can chose between the tales that interest you most.
October 2011
I was looking forward to find out more about the mysterious and unstable Armand, and the wise and ancient Marius, and Rice didn't disappoint. Now, given the way Memnoch ended I found that Rice needed to do some handwaving to explain the current events. I've noticed this between Interview and The Vampire Lestat, she sets up a certain set of events, then decides she didn't like it and using a different character's POV, switches it around. Some things just don't make sense when Armand, weaker than both Marius and Lestat can heal faster and better than they. Well, enough nitpicking. There's the usual weepy vampires concerned about their souls, the usual dose of religion, but most importantly the amazing atmospheres she's able to create with words. She excels in bringing us into the past, to watch for a while these strange creatures wandering our world, and makes us, at least for a few hours, believe they might really exist. vittorio the Vampire was almost more of a novella, completely independent from the rest of the Chronicles, about a vampire aware of Lestat et al, but they don't know about him. This was again more a tale about angels than vampires (one which contradicts Memnoch, but who is to say which tale is true, if any!), but as with Memnoch, I find them just as fascinating. So once again, while not as good as the first two, I am still enjoying the series and look forward to a couple more next year.
October 2012
I was excited to read the next two installments, and I'm always a fan of crossovers. In this case it was to be the Vampire Chronicles meets the Mayfair Witches...well I was disappionted. Merrick herself didn't interest me much, and while you get to learn a bit more about David Talbot and the Talamasca, I found in the end that the story really didn't go anywhere...wel except exactly where you could predict from the beginning it would go. I was not surprised at all at the fates of Merrick, Louis and Lestat in this one. These vampires always say they aren't going to do something, promise, cross their undead hearts, and then go ahead and do it anyway, and then agonize over having done it. But then I find I'm usually let down by the books that are about the vampires in the modern day. So when I started Blood and Gold, the history of Marius, my excitement rose again. And I wasn't disappointed. While a good portion of the book was already covered by Pandora's, Armand's and Lestat's tales I found it interesting to see his reasonings, particularly when it came to Armand and why he didn't save him from the coven. I really like these historical ones, they feel more real, as if the ones in the modern day seem so much more implausible. And Rice is at her best when creating mysterious and ancient atmospheres of times gone by, describing people's dress, the art. And here Marius gets to witness the changes over a couple thousand years, of glories destroyed. and then reborn. If nothing else, an interesting perspective on the history of our world.
October 2013
Another year, another two books in the the Vampire Chronicles. When I read the blurb about Blackwood Farm I rolled my eyes at the thought of another Mayfair crossover. But it wasn't that bad, in fact I really liked Quinn and Goblin. I mean we have another sensitive male who has a tendency to cry all the time and still goes to sleep in the arms of his female employees (what??? And not in the way you think either, well, except once...) But then, this is a Mayfair crossover so you kind of have to expect bizarre sexual (or not) situations. But I must give warning, there is very little vampire content in this long novel, just a bit at the beginning, and a certain amount at the end. But I must admit it was nice to re-enter a world of Rice's. She has a way of writing that I can't put my finger on but is unique and really draws me in, something almost magical and eerie. Now I was even more worried about Blood Canticle since it brings in the core Mayfairs as key players, including Oncle Julien which actually I was looking forward to and wasn't disappointed. I was happy to find that I still liked it. And fear not, vampires take a definitely front and center position. After all, one would be surprised to find out that the Mayfairs weren't aware of the presence of a couple of vampires in New Orleans. And I spent a fair amount of time laughing at Lestat's musings and his choice of words, even if he happens to "hate his vocabulary". One thing I was very disappointed by however, is that even though the blurb said it brought together "all the brilliantly conceived principal characters" that isn't close to true. Lestat is the only core vampire that makes an appearance...I wanted to see Louis again, maybe a glimpse of Marius, Armand or even David. After all, this was, at the time, the last book in the series!!! I sort of wanted to say goodbye to the characters, to have an idea where they were headed going forward.
I should probably comment on the ending. It was actually...well...a bit of a surprise. I won't say more about it, other than when you read it, if you thought it wasn't a surprise, go back to *all* other similar situations in the previous books and see that in fact, it was refreshingly out of character. It was an interesting way to tie up the lose ends of two independent, but connected, series.
I'm just happy that Rice recently came out with another book, otherwise I don't know what I would have done next year. Imagine being deprived of our Beloved Lestat...
October 2014
This year I got to enjoy the pleasure of seeing our favorite vampires come to life in the wonderfully illustrated graphic novel Claudia's Story. I couldn't help but wonder how long it took Witter to fill all those pages, the detail was intricate, the shading beautiful, and the sepia tone was perfect for the topic.
While it is a retelling of the events in Inteview with the Vampire, just as Lestat has his chance to explain his point of view of Louis narrative, so Claudia gets her chance here. I truly enjoyed both the new insights and the artwork, it was a pleasure to read.
And just as I thought this would be the very last book, a miracle happened and Rice decided to revive the series she had once said she was done with. So the fact that I had waiting so long to read the series worked to my benefit. There was a 10 year gap between Blood Canticle and what will be the new Prince Lestat, but I'm fortunate enough to not have to wait!
October 2015
So I got to continue my tradition of reading a Vampire Chronicles book for Halloween, Rice returning to this world just in time to keep me going. I have come to the conclusion that I can read anything Anne Rice writes and still enjoy it. I found myself really enjoying this book, but when I saw the reviews online I was like, "Huh, its true, there are a LOT of flaws".
1 - The first I noticed - it was repetitive. Since each chapter is seen from the POV from a different character, a big reveal will be revisited several times (though weren't her Mayfair books exactly like that?).
2 - There are a LOT of characters. You'd think there'd be very few ancients left, but they all seem to be crawling out of the woodwork. And everyone seems to be unaware of the existence of everyone else. However, aside from no longer being impressed to hear someone has been hanging around our world for five-thousand years (it's downright boring if its only a few hundred now), it was interesting to get the brief biographies the few chapters dedicated to each one provided. On the other hand, for many it was so brief that there was really no point to their being in the story at all (Rose/Viktor come to mind, the story was so busy already this interesting twist was quite brushed over).
3 - Not all that much really happens for most of the book...but then if you've made it thus far through the series that shouldn't phase you anymore. On the other hand a few major characters are killed off, a bit shockingly so. I won't miss two but I so wanted to learn more about the third!!
4 - The ending...frankly I don't see how Lestat can be Lestat anymore, but I'll let you read about it to figure out what I mean. However there is potential there and am interested to see where it goes.
5 - If *all* the vampires started coming together, why was Mona and Quinn not mentioned even once? Half the people we thought were dead came back, but not them?? Hopefully Mona got toasted, never much cared for her. On the other hand hope Quinn is still out there though.
6 - A fair amount of questionable science. You can tell Rice is a Romantic and not a Scientific, carefully glossing over the science stuff by hearing through the ears of ones who can't understand it and it basically comes our a blah, blah, DNA, blah. But was still great to finally have a vampire doctor for a change!
7 - Frankly, half of it sounded like advertisements for the previous books, "If you wanted to know how we got here, well it was all in book X. Book Y covered all this other stuff..."
But there were a lot of things I enjoyed. Meeting up with my old favorites of Lestat, Louis, Armand and Marius. Found a couple new ones that I liked and hope to see more of. The big reveal about the Talamasca (come on, you suspected *something* by now!). And compared to the other books, this one actually has more plot, a grand mystery that needs to be resolved, and a bunch of ancients behaving strangely. And it was interesting to be in the heads of so many characters, all of which were as confused as the next. And the vampires didn't start crying every two seconds *gasp*! They were too busy fighting to survive, didn't have time to just sit and contemplate if they were damned or not.
And Rice's writing style. Like I said, I'm convinced I'll love everything and anything she writes just because of the way she wrote it not matter how terrible.
Now to see if Blood Paradise is out in time for next year! As of now it isn't out yet.
October 2016
Well, Blood Paradise is now called Prince Lestat and the Realms of Atlantis, and it only comes out at the end of next month. However, I got lucky again and can keep my tradition of reading a Vampire Chronicles book a year becaue I was able to get my hands on a used copy of The Vampire Lestat: A Graphic Novel. It was great to go back and re-read the second book without actually re-reading it. It captured a lot of what Rice put into her characters and the atmosphere she weaves with her words. I thought the artwork was great, though I didn't much care for the faces of the characters, I think vampires look much more mysterious when a more anime/manga style is used, but otherwise I enjoyed looking at the pages as much as I enjoyed reading them. Sometimes the backgrounds were just spectacular.
October 2017
Well...it wasn't quite as silly as I thought it would be, though pulling Atlantis into the mix still makes me roll my eyes a bit. The mythology of this world is further expanded, going into the nature and history of Amel. But as I've said in the past, I'll read anything about these vampires, I guess after all these years of reading this series its become a tradition I really enjoy, though this was the first year I wasn't able to read the whole thing before the end of the month, there was one big section that got pretty boring so I had trouble getting through it. But I'll never get tired of reading about this little group of vampires and while the series could end here, there's also plenty room for more (in fact I'd love to go deeper into some of the other characters like we did for Pandora, some of the old ones should have some good tales to tell on the side).
October 2018
Ah, at last, a plot that isn't ridiculous! Blood Communion is a tale about Lestat and his nemesis Rhoshamandes finally sorting things out once and for all. We lose some vampires, manage to find a few more (it's surprising how many truly ancient vampires are lurking about that no one seems to know about, not even the other ancients). But on the whole, this was a very enjoyable installment in the Vampire Chronicles. But I worry, it has a bit of a "and they lived happily every after" ending, does this mean that Rice is again finished with our beloved Lestat? One hopes not, as I never tire of this vampire mythos and Rice's atmospheric, magical writing. While I might recommend skipping some of the books in this series, if you've enjoyed the first part, I'd suggest giving this one a read, Lestat tries to catch readers up on recent events, and this one has quite the exciting battle story to tell.
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