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Title | The Lion, the Witch and the Wardrobe
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Author | C. S. Lewis
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Cover Art | ---
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Publisher | Scholastic - 1987
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First Printing | 1950
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Title | Prince Caspian
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Author | C. S. Lewis
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Cover Art | ---
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Publisher | Scholastic - 1987
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First Printing | 1951
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Title | Voyage of the Dawn Treader
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Author | C. S. Lewis
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Cover Art | ---
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Publisher | Scholastic - 1987
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First Printing | 1952
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Title | The Silver Chair
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Author | C. S. Lewis
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Cover Art | ---
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Publisher | Scholastic - 1987
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First Printing | 1953
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Title | The Horse and his Boy
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Author | C. S. Lewis
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Cover Art | ---
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Publisher | Scholastic - 1987
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First Printing | 1954
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Title | The Magician's Nephew
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Author | C. S. Lewis
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Cover Art | ---
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Publisher | Scholastic - 1987
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First Printing | 1955
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Title | The Last Battle
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Author | C. S. Lewis
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Cover Art | ---
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Publisher | Scholastic - 1987
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First Printing | 1956
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Category | Portal Fantasy
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Warnings | None
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Main Characters | Aslan, Lucy, Edmund, Mr. Tumnus, Peter, Susan, Caspian, Eustace, Reepicheep, Jill, Rilian, Shasta, Bree, Tirian, Jewel, Jadis
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Main Elements | Talking animals, witches, giants, dwarves
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Website | ---
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The Lion, the Witch and the Wardrobe
When Lucy tells her brothers and sister that she found a magic land inside the old wardrobe, they don't believe her.
Then one afternoon, looking for a place to hide from the grown-ups, they all climb into the old wardrobe...
In this first book of the Chronicles of Narnia, Peter, edmund, Susan, and Lucy discover the land of Narnia and set out to break the spell of an evil witch.
Prince Caspian
One minute Peter, Susan, Edmund, and Lucy are on their way to school. The next minute they are back i the enchanted land of Narnia, where young Prince Caspian needs their help as he battles his evil uncle Miraz. They must get to Caspian in time to save Narnia and the talking beasts.
Voyage of the Dawn Treader
What a pest! Lucy and Edmund can't ever get away from their cousin Eustace. He follows them wherever they go. And when the magic of Narnia works its spell this time, the three of them are together.
Return to Narnia aboard Prince Caspian's beautiful ship, the Dawn Treader.
The Silver Chair
Not even a year has passed! But when Eustace returns to Narnia with school friend Jill Pole, he discovers that seventy years have gone by there. King Caspian is now and old man. His son, Prince Rilian, is lost, and Eustace and Jill are asked to find him.
With a webbed-footed companion named Puddleglum they start their search, traveling north toward dangerous giants.
The Horse and his Boy
Far away from Narnia, in the evil country of Calormen, a boy named Shasta is very lonely and unhappy.
"I wish you could talk," the boy says to a horse.
"But I can," the horse answers.
At first Shasta thinks he is dreaming. Then the horse speaks again. "Why not run away with me?" he asks. Soon the horse and his boy are ready to escape to Narnia.
The Magician's Nephew
Digory's uncle Andrew is a magician. But Digory and his friend Polly don't know this until Polly puts on one of Andrew's magic rings and disappears. When Digory follows her, their adventures take them to Narnia, on the very day it is created.
Here's the story of how Narnia first began.
The Last Battle
King Tirian knows that children from another world always come to Narnia when things are at their worst. Now as enemies try to destroy his country, Tirian is taken captive. He knows there isn't much hope - unless the children are sent once more.
Join Eustace and Jill as they rescue Tirian and fight the last battle of Narnia.
In a year where I read all the great dystopia classics, I felt it needed to be balanced by returning to a childhood classic, Narnia.
I'll start a bit on its connection to Christianity. Yes, Lewis wrote them to reflect the Bible, from Genesis (the creation of Narnia) to Revelations (when Narnia ends). But I'll let you into a little secret, when I read the books as a kid, Aslan was a magic talking lion, not Jesus. It wasn't until I got older and someone pointed out how he sacrificed himself for the sins of others and was resurrected did I see the connection. As I only have passing familiarity with the Biblical tales (with some effort I can match some up with the events in the books) I generally miss the connections.
Otherwise it's a tale of witches and talking animals, magic and dragons, battles and sea voyages, and you can read into it what you want or don't want so if you were afraid it might be too religious heavy, it's not. And if you were looking for something that did reflect your beliefs, then you can have that too. In fact, my sister doesn't like the series because it's too British, with snobby kids being all proper and full of themselves, so there could be plenty of other things that you might not like! And of course there are plenty of things to enjoy, even if it's just the idea that it might be possible to step through a doorway into a world of wonder where you can be king.
Now of course I'd read these books before, but in truth, only The Lion, The Witch and the Wardrobe really stuck with me, if you read no other that's the one that is the true classic where we are first introduced to Narnia, a world that had been trapped in a century of winter, but never Christmas (a true child's nightmare!)
I still had some general memories of the next three, and gave me a thrill of pleasure when I could predict an upcoming scene, you know how you feel there just has to be a big magician's house with some dwarf-like people that hop around on one leg...seeing as I couldn't possibly have made that up myself I was happy to see it was in the book. And I definitely remembered the Eustace-dragon, not because I learnt the moral of the sins of avarice, but because dragons are cool and I felt it wrong the malign them for their nature.
I love horses, and I even wrote a book report about it in grade 4, but other than the fact Bree could talk, I didn't remember anything at all about The Horse and his Boy. I couldn't quite figure out how Narnia would have this other land to the south, which is apparently populated by Arabs, and there was more than a touch of cringeworthy racism there, these "darkies" were worshipping an evil vulture-headed god named Tash and of course everything about them was as vile as could be, they had slavery, and decadent rich that abused the poor, kind of the exact opposite of utopia Narnia where everyone is supposed to be free, and the Kings/Queens are all gentle and kind and beautiful. This comes back even worse in the last books where one, and only one of these Calormenes was worthy of surviving the apocalypse. I mean every land needs a villain, just unfortunate Lewis didn't make up a race/culture of his own but blasted an existing one. The pro-Christinity didn't jump out at me as much as the anti-Islam (or Hindu? Tash has four arms but there was only a single god...) did. It doesn't mean we should throw these books away, but we need to acknowldge the caricature for what it is and tell ourselves we can be more Christian than even Lewis, to be understanding of other cultures and to love all men, even ones not like ourselves.
The pair of The Magician's Nephew and The Last Battle go well together, where you see Narnia created and then destroyed.
But to me, the most gut-wrenching part of these stories was when the children start to grow up and they are told they are never allowed to come back. It's like when you discover Santa Claus or the Easter Bunny isn't actually real. A little bit of magic goes out of your being and the real world crashes down around you a sucks the wonder out. I mean why can only children appreciate a fantasy world? Must adults always give that up? It's like when Quentin gets kicked out of Fillory in the Magicians, he for whom that world meant more than anything else, meant more to him than it did to the others. I felt the same terrible feeling at the end of The Lord of the Rings, sure our heroes win, but the elves still leave Middle-Earth, taking the magic along with them, allowing the Age of Men to start. They won the war but they could never go back to the way things were. Time moves along, things change, the past is past, and while the future can still be good, something is always lost along the way.
As a kid I loved these books. As an adult re-read, yeah, the kids are annoying and there are some beat-you-over-the-head morals. But I still enjoyed the world, the idea that such a place exists if you could just stumble into it, where you can be greeted by a lion creator god that needs you to save his creation, where you can walk side by side with unicorns and dance with fauns by firelight, and hopefully a place you can still return to even as you grow old, even if only in your imagination. The world needs a little magic after all. And just as Tolkien is the founding father of the Epic Fantasy, Lewis is the founding father of the child portal fantasy, sometimes a classic needs to be read just to see where everything else we have today came from.
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